The Cave

JPEGMAFIA, aka Peggy, is a rapper/producer originally from NY but describes himself as a Baltimore artist. At 13 Peggy moved to the south where he eventually would join the Air Force and serve a 4 year tour in Iraq. Peggy is now an acclaimed artist covered by publications from Pitchfork to Fader and everywhere in between. Oh and if this doesn't work out he'll turn to journalism.

This week in The Cave we have two of our favorite artists from the Midwest - Smino & Monte Booker. Smino is getting ready to kick off his HOOPTI TOUR starting tomorrow, while Monte is still trying to find his way back to Earth. LA Rapper Buddy (loves kush) makes an appearance as well.

This week on The Cave, we are joined by the elegant, charming, inimitable Rico Nasty. She has descended from her bejeweled perch among the immortal souls of Mt. Olympus to join the peasants below and remind us why we all pray to her shrine nightly. Kenny, who just so happens to be a white person of the male gender, assembles an instrumental out of thin, blunt smoke air and the magic begins. Their collaborative album, Anger Management, not to be confused with the 2003 comedy starring Adam Sandler and Jack Nicholson, is set for an April release. Expect emotional purging, guitar shredding, screaming, and KENNYYYYYYYYYYYYYing.

This week on The Cave, we are joined by a man of true character and grit, from the smokestacks of Gary, Indiana: Freddie Gibbs. He regales us with lurid tales of coke-snorting dinner companions and misplaced pussy hairs while Kenny Beats prepares an appropriate instrumental for the occasion. No sooner than Kenny (who against all odds has continued to be a white man from Connecticut) finishes the beat, Gibbs is in the booth tearing down our beloved studio with an effortless freestyle, riffing on a classic Juicy J verse. He then drops the mic in dramatic fashion, not unlike our 44th president at his final White House Correspondents’ Dinner. We as an audience are left feeling blessed, moved, and like we truly learned something today.

Zack Fox is on The Cave this week. He is perhaps best known for his work on the Manhattan Project under J. Robert Oppenheimer, his involvement in Supreme Court case Korematsu v. United States, and of course his role as host of Chef’s Table on Netflix. Today he gives us mental illness bars, Gaza bars, dick in Doritos dust bars, among many other pressing and controversial modern issues. He is not afraid to say what needs to be said about dipping his balls in thousand island dressing, despite much opposition and pressure from both the Democratic party and the GOP. “We will not be silenced,” declared a spokesman from his team earlier this week during a press conference. But where would Zack’s mission be without the support of Kenny Beats, who somehow put together a soundscape reminiscent of our lord and savior Jesus Christ crip-walking for three days straight on his way back from crucifixion.

This week on The Cave, we have the illustrious Vince Staples in our presence. And at his behest, the honorable Kenneth Beats III. Kenny, who is definitely and most certainly not a member of any state police force or federal law enforcement agency administered by the Department of Justice, puts together an instrumental of global significance with massive geopolitical implications. Vince then effortlessly dismantles the Kenny Beat and continues on with his life through the exit door of The Cave. The pair behind classic 2018 album FM! does not disappoint, nor would you have ever expected them to. Just another day on the most compelling show on YouTube.